SYDNEY: Trevor Ashley is back with 27 dresses, 14 wigs and a string of classic tunes to channel some of the greatest divas in showbiz with the return of I’m Every Woman.
Bell Shakespeare’s latest production fuses Henry IV Parts one and two into one play, set against the backdrop of the modern-day London riots, writes Garrett Bithell.
ADELAIDE: Independent Theatre founder Rob Croser has adapted Booth Tarkington’s 1918 novel The Magnificent Ambersons for the stage. He spoke to Peter Burdon.
Back home after nearly four years in Sydney, Cameron Goodall’s feet have hardly touched the ground. Next on his dance card is a classic in the theatre canon, Hedda Gabler. He spoke to Peter Burdon.
Fresh out of college, Alex Given got a dream job for any young performer, a long run on a touring show. He’s coming to Adelaide with Chitty Chitty Bang Bang, and spoke to Peter Burdon.
SYDNEY: The City of Sydney is now accepting expressions of interest from applicants willing and able to run the performance space at Potts Point’s Reg Murphy Centre.
Renowned British playwright Bryony Lavery is collaborating with Adelaide’s Brink Productions on Thursday, which will have its world premiere in the Adelaide Festival.
One of the biggest Australian shows in years, Cantina, debuted at the Adelaide Fringe. Its successor, Limbo, opens in 2013. Jonathan Nosan is a new member of the team.
The racy, raunchy, gin-loving creators of EastEnd Cabaret return to Adelaide in 2013 with Notoriously Kinky. They spoke, in sultry voices, with Peter Burdon.
