A dark thriller about secrets, betrayal, murder and identity, the first production in Griffin’s 2013 mainstage season is a new play by Duncan Graham, Dreams in White. He sat down with Garrett Bithell.
This Heaven is set in the outer western Sydney suburb of Mount Druitt. People living in the 2770 postcode might love the place and its diversity but surely hate how their hometown is so often maligned.
Christen O’Leary takes on the role of Judy Garland in a play filled with the life and songs of the girl who went over the rainbow. She spoke with Andrew Shaw...
Jonathan Harvey's Beautiful Thing – an urban fairytale about two young men who find each other in a London housing estate – is being revived in an exciting new Australian production, coinciding with the play's 20th anniversary. By Lachlan Bennett.
SYDNEY: The murder mystery genre gets the Bollywood treatment in this new production by GLBT South Asian group Trikone Australasia, writes Lachlan Bennett.
SYDNEY: Every gay man with a smart phone will relate to hilarious tales about Grindr in this festival comedy hit, back in Sydney for Mardi Gras. By Lachlan Bennett.
Back in 1984, the year after the man who created Arnold Beckoff on the page and stage, Harvey Feirstein, walked away with two Tony Awards – Best Play and Best Actor – Tony Sheldon won acclaim here in Sydney for his star turn in the role.
One of the biggest Australian shows in years, Cantina, debuted at the Adelaide Fringe. Its successor, Limbo, opens in 2013. Jonathan Nosan is a new member of the team.
One of Adelaide’s most glamorous drags, the fabulous Kristina Crème, is hosting a Fringe spectacular, I’m Every Woman. Producer Andrew Bassi spoke to Peter Burdon.
SYDNEY: A highly theatrical absurdist offering, MilkMilkLemonade is a darkly comedic exploration of being gay in Middle America, writes Garrett Bithell.
SYDNEY: Think Will and Grace, think Doris Day and Rock Hudson, think show-stopping musical numbers: from the Toxteth Hotel to NIDA Parade Theatres comes Postnuptials.
Everything you’ve heard is true. Kate Grenville’s much-praised novel that tackles big themes that affect this country, written with compassion and empathy for our ancestors, has got the production it deserves.
As director David Berthold rehearses his second production of Holding the Man, he tells Alistair Sutton why this story of enduring love between two men matters now more than ever.
Three decades on since its premiere, the issues at the heart of Harvey Fierstein's seminald comedy-drama Torch Song Trilogy are as relevant as ever. The cast and director of the exciting new Sydney production at Darlinghurst Theatre speak to Garrett Bithell.
